Carol Lee-Honson & Tiffany Rewa Newrick

March 11 brings us the third show of the Sculpture Season by Carol Lee-Honson and Tiffany Rewa Newrick.

Both the artists explore the presence and absence of the body within their artworks, Lee-Honson by focussing on cultural attitudes to death and Newrick through the performance of her sculpture as bodily substitute. However, where Lee-Honson’s work, made up of hundreds of tiny ceramic bone fragments, is physically present, Newrick teases her audience with video documentation of her sculptures.

The 2010 Sculpture Season, at ST PAUL St Gallery Three, is an opportunity to experience the diversity of current sculptural practice in New Zealand. Over the course of the season new work from eleven artists; William Hsu, Kah Bee Chow, Clara Chon, Carol Lee-Honson, Tiffany Rewa Newrick, Diane Atkinson, Museum of True History (MOTH), Erica van Zon, Anthony Cribb, Agnes So and Nick Spratt, will presented in six two week long exhibitions.

Throughout the season the artists will connect with the idea of sculpture in many ways. Making works that range from hand laboured models and exquisitely crafted objects, to ephemeral performative actions such as trying to capture light, or define a sculptural space by filling it with movement; their works trace a trajectory between two trends in sculptural engagement, on one end the production of the sculptural object, and on the other, its de-materialisation

The artists present multiple possibilities for engaging with the world through sculpture. Accessing disciplines as diverse as history, sociology, philosophy, politics, botany, ecology and geology they use the process of research to expand the arena of their art. They meld this research with the personal gesture or action, through this stepping away from the academic connotations of research and accessing forms of communication predicated on the idiosyncratic experiment, the personal connection and the heroic task.