Creative crowdsourcing
By Simon Young
New Zealand's arts community has a proud history of making something out of nothing. Often out of necessity.
And while it's great to see much-needed government funding for the arts, it's also inspiring to see something come together when a well-connected individual just decides it's got to happen.
That's the case with Wade Jackson's play Eulogy. It's a religious satire, supported with a hilarious and well-annotated website (someone obviously knows their Bible - even the terms and conditions are riddled with Bible verses!).
Eulogy has no government funding, but has received a great deal of in-kind support from across the spectrum. It's a great example of sponsorship in practice. Here's the run-down of supporters/suppliers:
- Half a dozen mac operators and a video operator are inserting the lead actor into famous moments in history
- The Orange Group are providing all props and set at no cost
- Image Centre are covering printing expenses
- Kurt from Cut Collective has created the art direction
- Ruban from the Mint Chicks has produced a "haunting soundscape"
- Misery is creating animation for the audio-visual material
Why does this work so well? Here are a couple of reasons:
- There is tangible passion in this project, as seen by the amount of effort expanded, not just by Wade but by all the other supporters/suppliers
- There is personal connection. Although I'm sure Wade had some boilerplate copy about the play and about the network offer, his email was a personal email to me.
- The show is not the whole story, but rather the culmination of the story. It's what Sean D'Souza calls the bikini principle - the more you show, the more people are interested. It's not about just saying here's the show, it's really funny, pay up and show up. Instead, the website is crammed with detail - it creates a whole world that draws viewers in to the main event, the show itself.
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