Beth Kayes
see key skills and company bio below
Artistic Co-ordinator/Performer
Beth trained at Auckland's Theatre Corporate Drama School in 1986 and went on to train in London at the Circus Space, with Phillipe Gaulier and at Desmond Jones School of Mime.
From 1991-1995 Beth performed with Australian company Legs on the Wall and toured with them nationally and internationally performing in the award-winning show All of Me and in acclaimed aerial work Homeland which was televised nationally by the ABC for the millennium broadcast. With the Australian Dance Theatre she performed House Dance on the Opera House sail also for the ABC's millennium broadcast.
In 1995 she formed Co.Theatre Physical and has created and performed in numerous shows both in Australia and New Zealand presenting A House Across Oceans at the Silo Theatre, Christchurch Festival '05, Nelson Festival '05 and Fuel Festival '06.
Beth has been involved in numerous projects as actor, director, teacher, producer, including Margaret-Mary Hollin's production of Macbeth, Silo Theatre; short film The Lost One; Co.Theatre Physical's touring school shows and OOH BABY BABY! for Taranaki Festival '09, the Auckland season with THE EDGE at the Concert Chamber and Bay of Islands Festival '10, Fuel Festival '10 and Nelson Festival '10
Bachelor of Arts in English
Co. Theatre Physical was formed in Australia in 1995 by Artistic Coordinator Beth Kayes, who brought together Designer/Director Carlos Gomes, Composer Hope Csutoros and a number of talented collaborators and performers. This ensemble created Miss Havisham's Dream, an outdoor aerial theatre show, commissioned by and premiered at Melbourne International Festival '95.
Miss Havisham's Dream toured to Australian and International Festivals as did subsequent outdoor shows Wonder Alice Wonder and The Wrestlers. While in Australia, Co. Theatre Physical also created and presented Waltz #6, HER, Tailing out, Landed, A House Across Oceans, and touring school shows GO! An Olympic Journey and Get The Message.
Co. Theatre Physical is now based in Auckland and in 2005 and 2006 toured A House Across Oceans to Arts Festivals throughout New Zealand. Regularly Co. Theatre Physical tours to schools and pre-schools with shows Tricks of the Trade, GO! An Olympic Journey,and Super Hero and the Fairy. New shows Speech Snatcher, The Princess and the Pirate and Super Gal and the Christmas Fairy are now also in repertoire. With 'Young Australia Workshop', Co. Theatre Physical annually tours Tricks of the Tradeand Speech Snatcher to schools in Sydney.
Co.Theatre Physical's recent show OOH BABY BABY! premiered at Taranaki Festival '09 and in Auckland at the Concert Chamber, August '09, in association with STAMP at THE EDGE® and funded by Creative New Zealand and Arts Alive. OOH BABY BABY! has since toured to the Bay of Islands Festiva '10, Fuel Festival '10 and Nelson Festival '10
Reviews for "OOH BABY BABY"
Town Hall Concert Chamber, August 2009:
"The creation of new life provides a fitting inspiration for a piece of theatre that is breathtakingly spectacular, raucously funny and delicately intimate.
A fertile imagination and a lengthy gestation period have allowed Co. Theatre Physical to move beyond the formulaic gestures of physical theatre and deliver a show in which a spirit of playful exuberance conceals the meticulous and exacting choreography that has the actors flinging themselves in all sorts of wildly improbable assemblages.
Set within a high-tech fertility clinic, the drama alternates between a slapstick send-up of medical soap operas and a succession of powerful images that delve into the metaphysics of conception, fertility and birth.
The abrupt changes in tone frequently jolt the audience into those thought-provoking moments when laughter is intermingled with more reflective emotions.
A talented design team has reconfigured the awkward performance space of the Concert Chamber to create an intimate traverse staging that reveals the complex apparatus behind the show's pyrotechnics.
The highly trained cast show the kind of athleticism expected from circus performers, with Eve Gordon twisting and contorting herself around silk ropes in a daring and dangerous display of aerial acrobatics.
Mike Edward brings an impressive muscularity to his role as the support structure for the free floating women and also manages to deliver a nicely ironic take on the virile machismo of the leading man.
Debbie Newby throws herself into the gymnastic tumbling while giving a hilarious performance as the over-achieving head of the fertility clinic who drives herself to the edge of psychosis as she tries to fit the delivery of her own baby into a micro-managed schedule of professional commitments.
The show's more tender moments are in Beth Kayes' performance as a middle-aged woman pitted against her biological clock in a desperate battle to conceive. She hauntingly captures the pathos of infertility as she inflates a succession of balloons which fly briefly before collapsing.
Co. Theatre Physical have clearly established themselves as a company to watch. In Ooh Baby Baby they have wrested physical theatre away from its associations with avant-garde obscurantism and triumphantly asserted their links to the vital traditions of the circus."
- NZ Herald, 24 August 2009, by Paul Simei-Barton
Taranaki Festival '09:
"Absolute chaos is breaking out in the TSB Showplace’s Theatre Royal in New Plymouth and the audience love it. From the moment you enter the venue, you are taken on a wild, crazy ride. Ooh Baby Baby! is one insane show which leaves you gasping.
White coated doctors, stethoscopes, surgical gloves, trolleys, test tubes, X-rays and all sorts of medical paraphernalia hurtle round the stage at various times. But the cast also leap, tube, gyrate, climb, cartwheel, tango and contort into amazing intertwined positions and it’s all in the aid of sperm count, artificial insemination and childbirth.
At times it’s like a circus, at times it’s a raunchy, provocative, cabaret-like act, at times a hilarious comedy and at others a harshly realistic and moving drama. For those familiar with child birth and/or fertility clinics there is instant recognition of familiar situations. The DIY epidural met with much laughter from the audience. There’s creativity aplenty to amaze you, especially in the way of bubble-like wombs that swing from the ceiling. Even the stage has been changed so the audience can sit on both sides.
The cast impress you with their suppleness, their strength and their full-on, almost maniacal acting.
When you are still in recovery mode, they throw in another surprise by whipping out a guitar and showing just a dash more talent by singing as well. This is all accompanied by some strong lighting and sound effects like the repetitive cry of a baby.
There’s certainly a dollop of Monty Python humour mixed into this production. It’s fast paced, in your face, physically explicit but also very funny. Most of all, it’s truly memorable. There will be times when you feel you are in a state of shock, but relax, take a breath and know there’s a doctor in the house. Ooh Baby Baby! plays again tonight."
- Taranaki Daily News, Reviewed by Jo Hills


















