Stories

There's fears that the connective tissue that allows an ecosystem to regenerate is eroding, but the workshop revealed the sector's assets too.

Mark Williams revisits ten years of CIRCUIT’s Artist Cinema Commissions in an excerpt from a beautiful new book.

It's awards season, but are the wheels coming off?

Six political candidates answered complex, multi-pronged questions and fluffy queries in front of a community that is frustrated, and sick of being under-estimated and under-funded in Ōtautahi on Monday.

Across film festivals and biennales, NZ artists are tracing histories of colonialism, asserting Indigenous self-determination and holding power to account, raising questions of transparency that land on our doorstep.

If you’re not searching for prestige and total solitude, and you can’t vanish for long periods of time, there’s plenty of residencies for you.

Plus the week’s news, including City Gallery reopening, new patron passes, and curatorial movements in Wellington.

Angela Bishop reflects on the impact and outcomes of taking eight early-career practitioners to experience the Venice Biennale.

The illustrator and artist didn’t wait for traditional paths, instead he started making work, posting it at 16, finding the people who resonated with it, and tending to that community.

The numbers suggest benefits attributable to the Events Attraction Package outweigh the costs, despite MBIE’s advice to the contrary.

A group armed with OIA documents are asking questions around the legality of staff guidelines at the Venice Biennale, but the documents reveal other shortcomings.

Overseas, art galleries receive funding from major banks, making up for shortfalls of public funding. With budget cuts and struggling local government, ours may need to do the same.

A quietly ambitious wave of small presses is changing what gets made, who gets published, and what ends up on our bookshelves.

The most exciting things that have happened in the arts this fortnight

Sam Brooks talks to the directors of four arts development spaces across both form and geography about their vital work, and how they could be better supported.

A cherished leader who helped pave the way for generations of Māori playwrights died last week.

Where is the line between private and public identity, and how do artists establish healthy lives for ourselves when we share so much?

In an excerpt from Te Tuhi's new book, They covered the house in stories: 50 years of exhibiting contemporary art, Karl Chitham asks questions about Māori exhibition-making and representation in our cultural institutions.

The journey of Cymraeg feels familiar and aspirational. It's also supported by policy.

And one year of your beautiful host, Gabi Lardies

The actor, playwright, set designer, director, and creative director is most creative when in a room devising with others.

Shanti Mathias explores romantasy, zines, music and stories at WORD Christchurch 2026.

Aotearoa's inaugural Festival of Design is set to kick off in Whanganui and Te Papaioea Palmerston North this October.

A discussion between HALFQUEEN and Mirik Milan proved that a thriving nightlife isn’t a force of nature, but an outcome of intentional public policy.

Plus all the arts news of the week, including Wellington’s dedicated creative capital team being scrapped.

New Executive Director Blaise Clotworthy explains how and why you should register to be part of the 2027 festival.

Genista Jurgens chats to Hana Pera Aoake about building a practice outside the motu, and rounds up events and opportunities for NZ artists overseas.

Members pay a small monthly fee for 24/7 access to a cosy workspace and an informal community infrastructure.

When scarcity isn’t the end of the story, plus the Nelson Arts Festival programme, the inaugural Speculative Fiction awards, and more.

A dive into documents released under the Official Information Act show the steps and shortcomings behind the allocation of the arts biggest fund.

What a rare early example of New Zealand graphic design history reveals about the symbols that businesses, corporations, and institutions used.

Two solo works navigate deeply human battles with body image, self loathing, coming of age, and mortality.

Music journalism still exists, the stacked design festival programme, the billion streamers club, and more.

She always knew she wanted to be an artist, but first there was work and family. Now she is cultivating a career with a relational approach.

Sam Brooks checks in with a renowned scholar, an actor in a production of Macbeth, and a high school teacher about the state of Shakespeare in 2026.

The therapist’s couch becomes a space to explore cultural isolation and the desire to be understood.

After five years, the end of the fund has been announced. But what of the inequities it was established to counter?

The author didn't recognise her creativity until she started a catering business in her early twenties, and now has a debut book.

In a car port workshop, a set that leaks, and leaks, and leaks was built and tested.

Even the Fringe Society makes it clear that expenses will outstrip revenue, but is it worth the chance at a big breakthrough?

Under austerity, funding decisions are especially consequential, so it’s concerning that South Island orgs received less than 10% of the funding offered in the highest AOG tiers.

Repercussions from funding decisions are being felt and seen, but there’s also some good news and things to celebrate.

The independent theatre producer flip flops between Abbi and Ilana and thinks nothing is better than working with friends.

The August edition of Global Compass focuses on public funding drying up, resilient independent infrastructure and overseas opportunities you don't want to miss.

Strategies have the ability to imagine new futures, which can be really exciting until you gaze into one and see how unwieldy it is.

The show is incredibly ambitious and at times misses the mark. This is what makes it incredible.

How we can make more people read about the arts, and all the happenings you need to know about this week.

In May, 11 NZ musos performed at a professional festival showcase in Brighton. Luca George, LEAO, and Hemi Hemingway tell us how they made the most of it.

Songwriter Amy Boroevich is done with emotional masochism, and has a new album.

The new cap is likely to reduce high-value donations to arts and culture charities that depend on major gifts.

The rest of ‘the greatest literature ever published in English’.

A wholehearted commitment to the animals' physicalities shines throughout the show.

A tranche of bookish announcements, a 30th birthday, and a continuing conversation about operating models.

The F1 track in Shanghai is inspired by the Chinese character 上 (Shàng). Is the gesture of this sign still present?

Sam Brooks looks at the company’s history and talks to the founder and participants about what keeps it special.

There's nowhere near enough money in the pot, so what can we do instead?

CNZ has offered over one hundred million to arts organisations and groups who each requested over $125,000 per year. How is that money spread?

Musician Greta O'Leary thinks we don't fan enough, and that it could be the path to health, success, friendship and fulfilment.

Last weekend a hui at Neck of the Woods gathered people from across the music community to discuss operating models.

A poem to observe Matariki.

Musician Jenn Tamati wants to pull off surreal unpredictability and cover a stage in soil.

A haerenga into the world of taonga pūoro and a birds eye view of recent resonations.

"The trees are our tuākana," she says in a new video reflecting on her practice.

A community hui, NZ momentum building in China, new indie bookshops, and more.

This month's Global Compass adresses a craving for grounded, ecological mindfulness during Europe's heatwave and brings together overseas opportunities for NZ practitioners.

What if we decentred alcohol from our social infrastructure, and encouraged intergenerational unity?

A quartet of arts organisations stand within one central block, catering to those who want to enjoy – or create – art.

Artists have not given permission or been compensated for their work, but do our copyright laws protect them?

Rosetta Stone talks to Chlöe Swarbrick, Taylor MacGregor and Savina Fountain about the future of music infrastructure in the city.

Gabi Lardies visits Shanghai to see NZ artists on a global stage, and is surprised by the similar concerns echoed in contemporary Chinese art.

Everything you need to know about the arts sector this week, including a proposed restructure at CNZ, a new training programme, and a new storage facility.

Ahead of a local resurgence in cabaret, including the upcoming Cabaret Festival and Auckland Theatre Company’s revival of Cabaret, Sam Brooks explains what cabaret is – and what it can be.

Wellington Community Ballet Theatre pairs professional choreographers with community dancers to sculpt new performances and opportunities.

The Minister of Commerce and Consumer Affairs has been busy proposing updates to the Copyright Act.

Amamelia is back with a third album, and thinks that hi-fi music can be very boring.

The expansive, celestial space expresses an almost utopian hope for the arts in Tāmaki.

While the international arts community speaks out, our official national presence chooses silence.

Lynda Topp, Paul Goldsmith, and the rest of the news

The Nebiolo type foundry was the most significant typeface manufacturer in Italy through much of the mid-20th Century. It never adapted to the advent of new photographic methods and abruptly closed in 1978.

His best-selling journals use mātauranga as a way to establish daily habits towards a balanced and intentional life.

The government requires 2% baseline savings from the Arts, Culture and Heritage agencies it funds. This will be spread across nearly every funded cultural entity including Ministry for Culture and Heritage, CNZ, NZ On Air, RNZ, Te Papa, Te Matatini, NZ Music Commission, NZSO, and more.

Accessibility upgrades, Silo Theatre's winning streak, a timely honour for the Topp Twins, and more.

The new voice in retro-folk can’t get past the heydays of the sixties and seventies.

A US court found Live Nation and Ticketmaster used their monopoly to overcharge. Those same giants control major parts of Aotearoa’s ticketing, festival and events sectors.

New research shows that while our music industry has made steps towards being more accessible and diverse, there’s plenty more to do.

Why you shouldn't publish your first book and the goss on a new gallery, the Ministry of Culture and Heritage, and more.

A bold plan to devolve the way our arts are funded through ‘regional partnerships’ is revealed. Mark Amery reports.

The actress and comedian tells us which podcast makes her scream in delight, and the love triangle she’s in with TV dramas.

The most useful and important things from the NZ Music Month Summit.

Everything you need to know about the protests, our participation, and the rest of the week's arts news.

Comedian and engineer Henry Yan tells us about his wet socks, mum, and favourite artwork, Pokemon Ruby.

From “like reading tea leaves” to “strongly support the overarching purpose,” 14 responses to Tū Mai Rā, Toi Aotearoa.

Music Month is here – and Ōtautahi’s arts scene is humming.

The draft Annual Plan proposes cuts – but public consultation is open, and arts orgs are rallying against them.

The Auckland-based musician learned early on not to flog sequels for the sake of it.

Tim Batt considers how the heck someone can do comedy while the world is falling to bits.

This month’s dispatch on Aotearoa artists overseas, plus opportunities in Tokyo, the UK, and beyond.

Rachel Ashby from the NZ Music Commission tells us everything we need to know about Music Month.

Elliot Ferguson argues for creating a framework to challenge the dominance of advertising and market-led priorities in design practice.

Ōtepoti Dunedin has been part of the UNESCO Creative Cities Network for 11 years. A local writer investigates the support for writers and readers that is available as a result.

Gabi considers reasons for artists to visit art fairs, and a huge arts news drop.

Filmmaker and Day One Creative Director Anna Duckworth shares what previously funded filmmakers passed on to the next cohort before they shot a single frame.

At a time when the costs of touring can prove too great for many musicians to visit smaller towns, Rhyme x Reason is stepping up and providing a free venue.

A new Silver Scroll award, a donated collection, Helen Clark, and more.

When you sell an original artwork, you still own the copyright for images of it. This scheme keeps track of when those images are used, and makes sure you get paid for it.

Just about everything that's happening in the arts across Christchurch in April.

What place does art have in a world that feels like it’s falling apart?

The New Zealand-born Samoan actor shares how a baby girl helped him take a shot pursuing more than a stable income.

Genista Jurgens reflects on missed moments to contribute to conversations and rounds up international shows and opportunities in this month's Global Digest.

Despite the song’s popularity, most people know little about the woman credited with its lyrics and adapted tune, who had considerable political mana and used her music and voice to foster understanding between Māori and Pākehā.

It offers secure, high‑spec storage of artworks, taonga, archival collections, scientific specimens, and other sensitive materials for major institutions or private collectors in climate-controlled conditions.

Gabi chats to John Smythe about the little website he started all those years ago, plus all the most important happenings in the arts this week.

The musical theatre obsessive says the music speaks to him, and the choreography is unmatched.

As a newly professionalised field, graphic design, was defining itself as a key economic contributor, a manifesto ignited a moral discussion on its role in society.

The final review, and a reflection from programme facilitator Jillian Davey on the programme.

Gabi visits the Shanghai Biennale, and rounds up the week's happenings.

The Mexican actor still counts his homeland's surreal mundanity as his biggest inspiration.

As someone with a Master's degree in poetry, Hera Lindsay Bird knows about squandering your life in the pursuit of a culturally obsolete art form. 

What was once called "an affront to the dignity and decency of ordinary farming folk” has become part of the New Plymouth way of life.

The next generation of critics review dance, theatre and cabaret.

A crash course in the finalists for NZ's biggest contemporary art prize, and the week's arts news.

The debut novelist in the running for our biggest literary prize does love writing groups, new personal mottos and Pink Floyd though.

Musical titans Dr. Karen Grylls and Te Waka Huia will perform a blend of kapa haka and choral music two nights this week. Sam Brooks talks to Grylls about bringing the two together.

Musician and accidental TikTok star Danica Bryant reflects on posting everyday for two years, losing sight of her intentions, and what having an audience really means.

The Young Critics Programme is “aiming to create a new generation of thoughtful reviewers”.

Artistic director Lyndsey Fineran on reading four books a week, wrangling 220 writers, and keeping the programme responsive to the world.

The award-winning queer choreographer and dancer thinks we should lend his art form the same lens that we give orchestral music and abstract paintings.

Damien Levi looks into the most recent data on publishing, gender, and ethnicity, only to find that the dial is barely shifting on representation.

Almost everything that's happening in the arts across Christchurch in March.

Including the Ockham shortlist, the Taite prize finalists, a new festival, and new residencies.

The actor-creator-theatre-makers share their thoughts on collaborating, leaving in the interval, and making original work rather than restaging classics.

Since she started writing in her teens, her work has shapeshifted from lyrics, to poetry, spoken word, scripts, and videos.

Welcome back to Global Compass, a monthly digest tracking the international movements of Aotearoa artists and sharing opportunities you won’t want to miss.

Matariki Williams shares the challenges of using imperfect archives for a project that aims to contextualise Māori art and correct the canon.

The theatre maker and filmmaker also explains why she loves to watch bad plays.

Within disability-led arts practice, technology is not a prosthesis that compensates for lack, but a collaborator that reshapes how agency circulates.

Digital platforms produce fast, market-driven design. Can slower, obsolete processes restore meaning through labor?

Gabi Lardies dives into this week’s arts news.

The actress has been touring Prima Facie around the motu for almost three years. The impact on her, and on audiences, has been huge.

PROWL Fest brings a litany of events to Auckland Pride. Sam Brooks talks to artistic director Hayley Walters and co-producer Renee Wikitoria about what it takes to bring a “mini-festival” to life.

As well as open calls, new beginnings, and free art history lessons.

The actor and producer shares how she navigates an industry that can be soul-sucking.

The human rights lawyer, educator, and bestselling author explains how she has used a beautiful book to teach people about Te Tiriti.

Your guide to our stories, columns, and categories.

Shoreside Theatre’s Shakespeare in the Park hits its 30th anniversary this year. Sam Brooks talks to board member and longtime participant James Bell on how the company has lasted so long.

Jean Teng talks to Jenna Wee about her way of finding Asians doing cool shit – starting a podcast before everybody else had one.

Mark Amery considers the value of public art collections while visiting three very different exhibitions in the North Island this summer

Getting the next iteration of The Big Idea moving forward.

We’re back and busier than ever!

The painter’s biggest inspirations are older women who never stopped making, even when no-one was looking.

A new monthly digest tracking Aotearoa artists overseas and international opportunities you don't want to miss, brought to you by Genista Jurgens.

Every week, school students walk through the doors of Wairau. What do the education programmes offer them?

An informative guide for those who list jobs, opportunities or events with The Big Idea.

The Big Idea team reflect on the year that was in the arts.

For many years she cultivated queer Indigenous nightlife in Tāmaki Makaurau and beyond. This year she took a break. What did it bring her?

Friend and colleague Sean Rivera remembers Jen Lal who died last month – a loss that has dimmed stages across Aotearoa.

In the school holidays, she worked in a record label's distribution warehouse. Now she leads Ka Korokī Ka Maranga, the Māori Music Industry Collective.

What's happening in the garden city this December?

The pop artist from Ōtautahi doesn't let awkward situations or huge platforms stop her, because they might be the exact thing that changes her career.

And the week’s arts news helpfully wrapped up.

Some artists are getting paid when their work is resold, and some are ignoring emails from the organisation trying to give them money. Frances Libeau checks in one year into the scheme.

It is supposed to be a fun way to reflect the year's listening, but it’s also a reminder of how the current market could do better to encourage audience engagement with local music.

Ōtautahi band There’s A Tuesday found a new way to think about their craft in Seoul. Samantha Cheong was there for the ups and downs of their first serious step outside Aotearoa.

Matthew Galloway reflects on how designed systems frame our participation in the world and facilitate new norms.

The week's arts news and Yvonne Todd's new angels.

Silo Theatre’s new space isn’t being hoarded, it’s being shared. Sam Brooks talks to the company’s directors about the space they call home, and their hopes that others will too.

“When we were doing the new strategy, the board were ready to look at equity and a commitment to toi Māori”.

Damien Levi reflects on his responsibility as a mentor to a fledgling critic.

Gabi Lardies on everything you need to know about the week, and joy, in the arts.

The actor, writer, and game developer lets his love for musicals, crowded cafes, and working hard loose in a Shameless Plug.

In Girl, In A Savage World, Theia moves away from ‘pop bangers’ to political anthems with Maaori instrumentation.

Tunmise Adebowale speaks to festival director Dione Joseph about why the local festival centreing Black joy, abundance, and innovation came together.

A busy week for arts happenings, all wrapped up for you.

Eda Tang interviews Maioha Ki Te Ao Tūroa Allen, the kaihāpai reo Māori and translator of the play.

Toi Ōtautahi Dispatch is a new monthly column and partnership with Toi Ōtautahi, the garden city’s virtual arts office. Each month we will bring you a round up of what’s happening in the arts across Christchurch. Consider it your guide to what’s on and what’s hot, according to Zara Potts.

Shanti Mathias visits the Christchurch-based school to watch rehearsals and ask artistic director Pedro Ilgenfritz what he’s changed to differentiate the “brave little school” from other programmes.

Gabi Lardies on how promotion fits into The Big Idea's editorial remit, and the week's arts news.

John Armstrong reports back with key takeaways from the PAYPA Hui 2025.

We asked Claire Murdoch, Senior Manager Arts Development Creative New Zealand Toi Aotearoa, what we need to prepare for AOG applications next year.

Interdisciplinary designer Micheal McCabe considers how he turned to the past to imagine a future for queer venues in a recent theatre project.

Luke Wood, original co-founder of the revived graphic design journal, traces the publication’s evolution from a historical anomaly – the graphic design department at Ilam late last century.

Gabi chats to the Arts Pasifika Award recipient and tells you everything you need to know about arts news this week.

A writer and actress shares memories from 1987 and the reasons why she loves being on stage.

Lizzie Tollemache interviews 20 established theatre artists on making work for children.

This month, Prayas Theatre celebrates its 20th year lighting up stages with South Asian storytelling. Sam Brooks talks to co-founders Amit Ohdedar and Sudeepta Vyas about the company’s journey.

Diving into new guidelines for working with Kaihanga Toi Māori, and almost everything that’s happened in the arts this wiki.

Penman House is facing imminent demolition. Salene Schloffel-Armstrong speaks to Paula Morris who is leading the charge to save the piece of literary history.

Rachel Ashby speaks to the conductor of an audacious project which brings together 50 musicians, pseudo-orchestral arrangements, shiny rainbow ponchos and a glow stick.

The arts therapist and artist opens up about what it's like to be a papier-mâché cake and why she always goes too far.

Recently returned from Ecole Philippe Gaulier, the clown shares his personal motto, most embarrassing career moment, and details about his commute.

A proud Filipino and JAFA storyteller needs her family for her sanity and creativity.

This week's arts news and weather, brought to you by Gabi Lardies.

Penny Ashton hated Shakespeare for much of her life, but new love is sprung from old hate.

Shameless Plug is a new series where we turn things over to creatives. Today, a singer, theatre-maker and pacific storyteller shares how he was born an introvert but raised to be an extrovert.

Easy (and fun) practical tips from the authors of The Green Theatre Touring Guide.

Bringing you the announcements and hot gossip first!

Gabi Lardies chats to Landfall editor Lynley Edmeades, updates you on the news, and recommends some stories and films.

Shameless Plug is a new series where we turn things over to creatives. Today, two theatre-makers remember school productions and advice from elders.

Lynley Edmeades, current Landfall editor, interviews three previous editors: Emma Neale, Chris Price and David Eggleton.

Unconventional tips that might actually be useful from Nadine Hura.

Re-floating old ideas, big changes and many winners.

Dani talks to Mel, a queer brown baddie and artist about atua, family and making art.

A range of responses from mayor hopefuls in Auckland, Wellington, Christchurch and Dunedin on their plans to support the arts – or not.

The Big Idea is embarking on what can best be described as a low-key makeover.

A discussion with Dr. James Wenley and all the hottest news from the sector.

As classical musicians prepare to perform against the backdrop of the Southern Alps, Jo Mills reflects on the place of the wild in our creative lives.

After a three-year hiatus, the one-day conference returned, inviting discussions on the creative sector in Aotearoa. Here’s the most important things Eda Tang heard.

One of the leading forces behind Creativity Belongs Here explains why local body elections are so important for the arts.

All incorporated societies need to re-register under the new act by 5 April 2026 – the sooner you prepare, the better.

Another week of Aotearoa’s arts news and weather.

Gabi Lardies attended the biannual arts leadership conference to take the temperature, glean insights and bring you sound bites.

Experts argue for a sector-to-sector funding scheme where a levy on large events is redistributed to the local live music sector, as is done in France.

Ahi Karunaharan speaks to the founders of a beacon for cultural representation and artistic collaboration.

New campaigns, the same old battles and the week’s arts news.

Art History has been cut from the high school curriculum. Kirsty Baker argues that doing so strips students of an expansive and radical lens to view the world.

Writer Kim Meredith and musician/sound designer Kingsley Spargo opened the Kim Meredith Gallery in Auckland two years ago.

Your weekly arts news bulletin enters a new era.

A leading voice in Māori fashion Jeanine Clarkin (Ngāti Hako, Ngāti Pāoa, Ngāti Ranginui, Ngāti Raukawa) talks to the role of fashion, cultural infiltration and how Ngā toi Māori will help shape our future.

The team behind Auckland Live’s brand new festival gives us the scoop on creating for the young and the special opportunities this festival could provide artists.

Sir Richard Taylor helped bring the heaviest hitters of the location-based entertainment sector to NZ - the Wētā Workshop wizard explains why it's an industry of huge potential for creatives.

A huge week of creative news - with awards and finalists announcements, long-awaited comebacks, fresh talent staking their claim, global opportunities and the end of a theatre company.

The Creative NZ Early Careers Fund window closes this Thursday - previous recipient George Funaki explains the impact it has on creating space and finding his way.

The literary community is reeling after the loss of Kelly Ana Morey (1968-2025) - friend and colleague Andrew Wood pens an emotional tribute.

Making a huge splash as screen performers, Stacey Leilua and Anapela Polataivao are championing community art, adding accessibility to an elite medium.

The reasons are clear – but what are they sacrificing and what are they hoping to gain?

The Government's goals and support plans to shape the sector over the next five years have been revealed - Sam Ackerman breaks down all the key details.

Tributes to an extraordinary creative producer, festival excitement, big career boosts and arts sector comings-and-goings.

It might not seem the most typical Māori musical genre, but there has been a long history of Māori engagement with country music.

Outcomes are antithetical to the intentions behind a new fluid shared space in Ōtautahi. Its founders discuss its beginnings, aspirations, and highlights so far.

National Poetry Day has been ushered in with the announcement of the country's Poet Laureate - the departing Chris Tse interviews his successor Robert Sullivan (and vice versa).

As cuts to Manatū Taonga bring the possibility of arts moments from our past and present being lost forever, Dance and performing arts historian Marianne Schultz is calling for action.

New grant opportunities and partnerships plus the latest awards, creative event line-ups and arts prize winners from all over Aotearoa.

A dish Aotearoa didn’t know it was craving has just been served.

With the use of AI on the rise, we ask the funding bodies most involved in NZ's arts and creativity sectors how they view and monitor the use of these new technologies in applications.

The latest winners, new positions, funding dilemmas and success stories from across the Aotearoa Arts World.

The use and threat of Artificial Intelligence is growing in the arts and creative industries. Dr Maggie Buxton gives her expert insight.

Producer Eva Trebilco's latest offering, Notes from a Fish, is ready to hit the NZ International Film Festival – she gives insight on how to make any budget work for you.

A coalition of heavy-hitters are calling for more focus on pushing local authors, some big international success and opportunities for NZ talent and youth theatre's next creators brought together.

Q Theatre's helping ease the financial risk for artists or companies wanting to get their shows in front of audiences – we break down how to apply for their new Season Support initiative.

Success at the National Contemporary Art Awards isn't just a huge career boost, it's a prize that has been on Zena Elliott's radar for decades.

Danielle Thomson gets to know revered the musician with a track record of selling out venues and ascending to top spots on NZ charts.

Aotearoa's arts sector hits the big screen - the minds behind it share how they got a movie about 'theatre kids' made and why it hits so close to home.

Revived events to invigorate communities, new festivals to create lifelong art connections, opportunities, tributes, new positions and award-winners - it's been another big week in the creative sector.

Award-winning designer Kaan Hiini talks balancing tradition and innovation and the role of ngā toi Māori in the future.

As the music community mourns the passing of Fat Freddy's Drop beat maestro Chris Ta’aloga Fai’umu, Hayley Dingwall writes about his role in showing off Aotearoa to the world.

Our marquee arts news bulletin, celebrating those whose mahi makes a difference, add creative value to their communities and succeed on national and global stages.

Five years is a long time in the arts world – creative powerhouse and staunch disability advocate Pelenakeke Brown considers how much has changed as she unleashes a profound new work.

Actor Jordan Mooney gently encourages us to keep going and trust the process - the order, the chaos - all of it.

Tributes are flowing after the passing of an Arts Icon - referred to as the "Godfather" of contemporary sculpture in New Zealand.

The minds behind Melbourne Fringe-bound production How To Art explain the importance of diversifying their support to achieve their dreams.

A half-million dollar initiative's announced to help artists get their mahi across Aotearoa, underserved communities get a chance to be celebrated and a number of career-advancing accolades and opportunities.

Danielle Thomson sits down to talanoa with the team from Basement Theatre to learn more about the first Tāmaki Makaurau version of the Pacific Producer Residency.

Kiwi creative Emma Keeling gives us a first-hand experience on what it's like to sell your vision at the most famous film festival on the planet.

Highly regarded artist Judy Darragh's latest awe-inspiring artwork is more than a visual feast, it's a case study in finding the sweet spot on large-scale commissioned works.

In part two of our exclusive interview with the new CNZ Chief Executive, Gretchen La Roche discusses funding the sector, the changes facing arts organisations and changes in perception.

Creative talents recognised across multiple disciplines, with awards, nominations, residencies, festival line-ups and success stories from across Aotearoa.

Sinead Overbye travels through the rich tapestry of Kia Mau Festival 2025 and the threads of Indigeneity that run through its very fabric.

In an extensive first interview as CNZ boss, Gretchen La Roche opens up on what's exciting her about the role, the challenges facing the sector and the way forward.

Children's Theatre icon remembered for more than 30 years of creativity that inspired generations.

From TVNZ to Netflix and local production companies, those with skin in the game have made their thoughts clear on the proposals that could determine the fate of NZ's screen industry.

New Zealanders getting recognised on international stages, crowned best in the country and taking control of their creative futures - plus announcements and departures that impact the sector.

Senior positions at creative organisations across NZ have been revealed, arts projects representing underserved communities given much-deserved spotlight and more news from across the sector.

The Arts Laureate doesn't pull any punches with his writing - and takes a similar approach to laying out advice on staying true to yourself as a creative.

After more than a decade of driving Silo Theatre, Artistic Director Sophie Roberts is signing off with some honest and unfiltered insights on the state of the sector.

Honours and heartbreak in the big creative sector news of the week and Matariki brings arts and culture hits all around the country.

Ethics, honesty and patience – meet the gallerists doing it their way.

Writers, creatives and arts organisations react to the passing of Maurice Gee, a man responsible for some of the most loved books in New Zealand's literary history.

Winners of big residencies both here and overseas - along with more opportunities to come - plus award nomination news, fire damage implications and the importance of checking your spam folder.

From being forced into army service to finding his true calling, actor and writer Mustaq Missouri has some poignant words on finding your creative path.

Perched atop a jagged, volcanic plinth, a sci-fi-meets prehistoric creature now towers over Riverside Park in Taupō.

WATCH: The lives of thousands of New Zealanders are uplifted through creativity, with leading dance and arts therapists making a difference to those who need this specalised support the most.

WATCH: Arts education comes under fire from all quarters but what do those actually in the tertiary art system think about it - and their prospects of entering the industry?

WATCH: Running a gallery in Aotearoa - or getting your work inside one - can be a fraught assignment. An internationally experienced gallerist gives a frank and honest assessment.

Turia Schmidt-Peke reflects on her creative journey in our new series 'Tahuna Te Ahi (Setting the World Alight)'.

Chris Streeter's new role with Crown Fine Art NZ will help artists and creatives sleep a whole lot easier when taking their mahi across the motu - and the world.

WATCH: An unrelenting dedication to his award-winning craft, Kalisolaite ‘Uhila gives us an insight into the sacrifice he makes to drive his performance art.

Applications for Studio One Toi Tū’s 2026 exhibitions end this week - find out how to apply and how it's impacted those already given the chance.

MCH breaks down how technology could impact the arts, milestones and big moments for creative organisations and an insight into NZ's Venice Biennale exhibition.

From those at the top tables to those dedicated to arts in the regions, we profile the full list of 32 creatively-connected NZers receiving national honours and get reaction.

Iconic prizes & world-famous institutions are recognising the talents of Aotearoa - see who's won what, NZ art centre stage in NYC, sad passings & other creative news.

Artist-led and Indigenous storytelling-focused, the Wellington-based festival shapes up for another empowering edition.

Co-artistic directors Nisha Madhan and Julia Croft invite us into the blazing, new world they’ve created together with F.O.L.A [AKL], in our new series Pathfinders.

A creative academic looks at the real implications for the many self-employed workers in the sector, following the government's latest financial decisions.

We take a cheeky peek behind the Cabaret Festival's velvet curtain and find out how creatives - no matter their experience - can be a part of it.

Aotearoa creative minds and institutions are getting recognised globally and locally, big arts events and milestones worth savouring.

Danielle Kionasina Dilys Thomson talks to her creative journey and what inspires and challenges her in our new bi-monthly series, Talanoa with a Tusitala.

Multi-passionate creative, PhD researcher and award-winning author Jeanelle Frontin on the importance of getting to know yourself.

Check your privilege at the door - comedian Sameena Zehra has toured the world and gives her tips for finding balance in your career by living with integrity and joy.

A major announcement for Aotearoa's TV and film industry - with the impactful scheme locked in for another four years.

A game-changing creative quarter is at last fully operational, cornerstone events bringing big numbers, international opportunities open and a multitude of arts success stories.

We get reaction to the announcement that Tāmaki Makaurau has lost an invaluable event for creative expression - but hope remains it may return.

In a country where the comedy circuit has long lacked Asian representation, Jess Karamjeet is here to change the script.

The patriarch of one of NZ art's first families leaves a lasting legacy after an extraordinary life.

The push to revive the Creatives in Schools programme reaches a crucial stage ahead of presenting the petition to Parliament – arts educator & advocate Dr Kerryn Palmer is rallying support.

May is a monumental month for the comedy and music sectors, get the Lowdown on its real impact - plus new appointments and a spotlight on visual arts news.

Artists Luisa Tora and Molly Rangiwai-McHale ask each other about being partners & collaborators in Aotearoa.

Rāhana Winiata Tito-Taylor reflects on the role ngā toi Māori will play in shaping the future.

It's a question many are pondering in the wake of a polarising court ruling - a copyright expert gives a verdict on what artists need to do next.

A huge day - and long-awaited one - for one of NZ's performing arts cornerstones, artists converge on Auckland, and key creative comings and goings.

At a time where funding is scare and cultural connection is crucial, find out how to apply for grants of up to $11,000 for your creative project.

The state of the sector, funding sagas, proudest moments, biggest regrets, controversy, abuse and CNZ's future - a wide-ranging, comprehensive insight from the departing Chief Executive.

The state of the sector, funding sagas, proudest moments, biggest regrets, controversy, abuse and CNZ's future - a wide-ranging, comprehensive insight from the departing Chief Executive.

A far cry from the days of homespun projects – delving into podcasting can potentially create a new marketing pillar for your business.

Manu Vaea writes about the mess of shadow selves, collaboration as a mirror and the divinity and insecurity that community can bring.

From dance stages to box office success, doctorates, residencies, awards and new funding opportunities - it's been a big week for the Pacific creative community

One of New Zealand music's most coveted awards is announced, big creative industry gig filled, a new public art initiative and finalists found for emerging awards.

Maia Keane writes about moving home to Tūranganui-a-Kiwa for art - and the sense of belonging and connection she has since discovered.

Whānau, artists and gallerists pay tribute to a wāhine toa, whose talents and staunch belief in Māori rights have left a huge impression on the next generation.

The latest number crunching from Creative NZ, big opportunities ahead for Aotearoa singers and dancers, and more news from the arts world.

Tunmise Adebowale opens poetic eyes to the practices of Ruth Ige and Mary Dah Fairy, two artists whose canvases are imbued with the deep blues of Blackness.

A tax break to help boost the financial stability of the creative sector is being mooted - we break it down.